>> A WELCOME BACK BETWEEN BELL
THAT HAPPY FRIDAY, EVERYONE,
THE NEW WORLD WAR ONE.
>> EPIC
1917 HAS SOMETHING OF AN
ALL-STAR DUO BEHIND THE
CAMERA OSCAR-WINNING DIRECTOR
SAM MENDEZ HIS FILMS HAVE BEEN
NOMINATED FOR AN ASTOUNDING 23
OSCARS AS CINEMATOGRAPHER ON
THIS NEW MOVIE ROGER DEAKINS
HAS BEEN NOMINATED FOR THE
SCOUTING 14 OSCARS, JUST BY
HIMSELF AND THE LOOK OF SOME OF
THE MOST THE LIVES FILMS ALL
TIMES THAT INCLUDES THE
SHAWSHANK REDEMPTION FARGO, A
BEAUTIFUL LINE AND SO
MANY MORE.
>> THAT'S RIGHT AND THE PAIR
BRINGING THAT TO THE BIG
SCREEN. IT TRULY UNIQUE LOOK AT
THE GREAT WAR FILM TO LOOK AT
THAT THE ENTIRE THING AND IS
ONE CONTINUE WITH.
JENNER'S DORAL YOU CAUGHT UP
WITH THE MAN BEHIND THE MOVIE
ALONG WITH STARR DEAN CHARLES
GAME OF THRONES FANS MIGHT
WRECK NYSE AT NEW YORK COMIC
CON TAKE A LOOK.
>> SO SAM, HOW DOES THE SUBJECT
MATTER OF THIS FILM CAN
TRANSLATE INTO THE FORM FACTOR,
WHY DID A BATTLEFIELD DRAMA
TRANSLATE INTO THIS ONE
CONTINUOUS SHOT SORT
OF FILM.
>> WELL IN A WAY IT IT STICKS
MORE CLOSELY TO THE FORM OF A
THRILLER THAN A DOZEN
BATTLEFIELD TRAUMA UNIT.
IT'S A
TICKING CLOCK. MISSION MOVIE
ABOUT 2 VERY YOUNG MAN YOU HAVE
TO TRAVEL ACROSS PREVIOUSLY
UNCHARTED TERRITORY, WE'LL SORT
OF EXTRAORDINARY DESTROYED
LANDSCAPES IN GERMANY DURING
THE HEIGHT OF THE FIRST MOBILE
TO
SAVE 60 AND SO IT IT FELT RIGHT
THAT IT
SHOULD BE 2000 REAL TIME MAYBE
SHOULD BE IN ONE TAKES A WHEN
YOU WHEN YOU TRAVEL WITH THEM
YOU.
YOU WALK EVERY STEP WITH THEM
YOU BREATHE EVERY BREATH TO
THEM YOU ARE IN AND YOU CAN
GET OUT AND SO THAT'S WHAT A
ONE SHOT THING DOES FEW THAT
PERHAPS A CONVENTIONAL
MENTIONING
MADE FILM.
>> CONS YOU SPENT AT LEAST 9
MONTHS PREPARING WITH
CINEMATOGRAPHER ROGER DEAKINS
FOR THIS WHAT WERE SOME OF THE
THINGS YOU HAVE TO PREPARE FOR
THE SUMMIT THINK YOU HAVE TO
REHEARSE BEFORE ACTUALLY
FILMING WELL YOU HAVE
>> EVERY SCENE THE EXACT LENGTH
OF THE SCENE ONLY WHEN YOU
EDITING A MOVIE YOU KNOW YOU
CAN YOU CAN CUT SOMEONE FROM
THE TOP OF THE HILL TO THE
BONE. WELL, YOU KNOW YOU DON'T
REALLY WHERE YOU CAN JUMP SPACE
AND TIME HERE TO HAVE IT ON THE
CONVERSATION WAS THAT'S
HOW MUCH GROUND THEY NEED TO
TRAVEL SAY THE SET HAD TO BE
EXACTLY THE SAME LENGTH AS THE
SCENE AND THE SCENE AND TO BE
EXACT IS AIMING TO SET WHEN THE
SCENT IS YOU KNOW NO MAN'S LAND
FOLLOWED BY GERMAN TRENCH ALL
ABOUT GAO KOREA WOULD SAY HILL
ORCHARD FARMHOUSES CANALS
RIVERS AND EVERYTHING HAS TO BE
EXACTLY THE RIGHT THINGS YOU
CAN IMAGINE HOW LONG IT TAKES A
>> THIS REAL AN IMMERSIVE FOR
WORDS THAT YOU'VE USED BEFORE
TO DESCRIBE THIS. THE FILM WAS
THAT THE SENTIMENT YOU WANTED
TO PORTRAY IT.
>> THE SOMETHING THAT MOVIES
CAN DO WHICH NOTHING ELSE
IS REALLY IMMERSE YOU IN THE
MORE SO THAN TV WILL SAY THAT
IT'S A THAT YOU ARE IS
EXPERIENTIAL YOU KNOW THE WHOLE
THING IS AN EXPERIENCE.
SO I FELT
LIKE I WANTED TO FEEL THAT
JENNY AS MUCH AS TO SEE OR HEAR
IT.
>> IT'S ONE THING TO DESCRIBE
THE FILM BEING A CONTINUOUS ONE
SHOT BUT FOR
THE AUDIENCE, WHAT ADVICE YOU
HAVE FOR PEOPLE WATCHING THIS
WHAT SHOULD THEY BE LOOKING FOR
TO REALLY HONE IN ON WHAT'S
DIFFERENT ABOUT
THIS FILM.
>> WE KNOW I DIDN'T REALLY
WOMAN TONIGHT IS WHAT THE
CAMERAS TO A WOMAN TO TO CARE
ABOUT
THE CHARACTERS WHEN I WAS 7 HIS
MOVIES, YOU DON'T NEED TO KNOW
ANYTHING ABOUT TO UNDERSTAND
THIS FILM, YOU KNOW SOME
HISTORY LESSON THAT SNOW DRAW
IS ON THE YUPPIES. YOU
JENNY THROUGH WELL ONE IF
ANYTHING I THINK IT'S QUITE
CONTEMPORARY THE WAY THAT WE
JUST WE'VE WE'VE TACKLED IT.
SO I I THINK IT'S.
IT'S ALSO SO PERSONAL IT'S
ABOUT 2 YOUNG MAN AND IT'S NOT
A BATTLE MAY BE A SLIGHT
COMEBACK FILM IT'S NOT ABOUT
BLOODSHED. IT'S ABOUT
FRIENDSHIP
AND HOME.
>> AND LOVE AND AND HOW YOU.
>> CAN
EXPERIENCE HISTORY. SOMETHING
SO VOS IS THE FIRST OF ALL WOLF
THROUGH THE TINY LENS OF JUST 2
P.
>> ROGER HOW DID YOU GO ABOUT
BRINGING SAM INDICES VISION TO
LIFE TO CINEMATOGRAPHY.
>> I
DON'T ON SO THAT THEY KNOW THIS
PROCESS ISN'T YOU KNOW USE
SPEND LONG. PERIODS TALKING
DRAWING PICTURES JUST FIGURING
THINGS OUT.
>> HOW DOES NEW TECHNOLOGY
MAYBE HELP YOU TELL A STORY
BETTER ESPECIALLY WITH THIS ONE
CONTINUOUS SHOT FOR
THIS FILM.
>> YEAH, I MEAN I USE I USE
TECHNIQUES ON THIS WHOLE LINE
HIS PUTT 4 AND A UNIT USE A NEW
CAMERA SHE HAD A CAMERA THE
THIS FIRST TIME IT HAS EVER
USED ON THIS FILM OUR FIXED.
MAKE SURE IT WAS AVAILABLE FOR
SOME TIME. THE CAMERAS ON
RELEASE NOW, BUT WE'VE GOT A
THE PROTOTYPES SHOOT THIS
MOMENT. WE COULDN'T HAVE DONE
IT WITHOUT THAT WITHOUT THIS
LIGHTWEIGHT CAMERA AND THEN AS
YOU SAY OH THE COVER
STABILIZING SYSTEM SAID
ABOUT THAT NOW REALLY MADE A
DIFFERENCE TO WHAT WE COULD DO.
>> HOW EXTRA PREPARATION THAT
TAKEN REHEARSAL TO DO THIS ONE
SHOTS NATURE OF THIS FILM YEAH,
I MEAN WE WHAT'S REALLY
AREN'T WE.
>> THE EMBRYOS TO 6 MONTHS AND
SOUGHT IN THE NOVEMBER AND THEN
IT TOOK SO THE WALK INTO THE
AND
MEAN CHOSE THE WEEK BUT IT ALSO
IS TRYING TO GET MILITARY
TRAINING WORKING WITH OF REAL
MILITARY ADVISOR WAS ACTUALLY
IN THE BRITISH MINISTRY.
SO HE WAS REALLY GOOD ABOUT
ANSWERING QUESTIONS THAT WE
ASKED YOU WAS RELEASED POLICE
AND EVEN DOWN TO THE LATEST
THINGS JUST LEARNING HOW TO
SALUTE PROPERTY IN STAND WITH
YOUR FEET TOGETHER AND HELP THE
COMPANIES JUST WE DID IT
WITHOUT FITNESS TRAINING WITH A
PERSONAL TRAINER, EVERY DIANE
EVEN JUST SHOWING THE SAME
HIMSELF STUCK TO
WALK OUTSIDE.
>> SO FAIR AND THE WHOLE FILM
THE LANDSCAPE IS SO EPIC BUT IT
FOCUSES SO INTIMATELY ON YOU
AND GEORGE CHARACTER DID YOU
FEEL A PRESSURE TO KIND OF.
PORTRAY THAT PROPERLY BECAUSE
SO MUCH FOCUS WAS ON YOUR GUYS
IS RELATIONSHIP. JOE WAS A
FIRST DATE.
>> UPDATE UP TO THE PRESSURE
PAIN AND IN SOME OF THE MONTH
OF FREE, OSSOF SO MUCH MUCH
MORE CONFIDENT ABOUT
IT AND I MEAN WALKING SAMMY
KNOWS EXACTLY WHY SHOULD PAY
YOU KNOW WE WROTE THE SCRIPT AS
WELL SO THE END OF THE LIFE OF
WHAT IS
PROBABLY RIGHT. SOME OF YOU IT
WAS A PRETTY AND ALL RIGHT TO
LAUGH